Apart from that I’ve written the blog post for tomorrow’s caitlinrowley.com update. That was a bit of a tough one actually – trying to summarise a bunch of disparate thoughts into a single, coherent, but ultimately speculative post. I’m not sure I’ve achieved it. And there’s a bunch of issues I’ve had to cut out to keep it to a reasonable size. But I guess I can use them later. Just hoping I get some responses to it – it’s a different approach I’m thinking of taking in my bid to help more people discover and understand my music and one I can’t find any mention of anyone else doing. Anyway, I can’t really talk too much about it today because it’s not live yet, so you can’t go and read it till 3pm UK time tomorrow

I also spent a couple of hours talking art and web dev with a friend in Scotland. That was enjoyable too. All very Sunday

In the evening I introduced the nephew-in-common-law to ebelskivers with lemon curd and extra-thick double cream. They seemed to be well received. Then after his bedtime, his mama and I talked web stats and SEO into the wee hours of the morning which was great – it helped her see where she can improve some stuff and also helped to clarify my thoughts a bit about where I want my shiny new business to go. Thinking that ultimately I probably would prefer to ditch the code and act more as a consultant, teaching other devs and designers what they need to do to help their clients. It would help the clients and it would also help to spread the word about web standards and various best-practice … um… practices. Win-win really. I think that’s a little way off yet though.

Did a bit more work on the violin piece too. It’s getting tighter and tighter. I’ve sped it up a tiny bit, which pulls the duration in and gives it a bit more sparkle. Still having a little trouble with the opening 2 bars though. The rest of it I’m pretty happy with, but the opening’s a bit dirge-like and isn’t really gelling with the rest of the piece. Thinking about maybe removing most of the chordal stuff to keep the rhythm cleaner, and possibly whacking it up an octave too.

Made a little Greek feast for dinner which went down very well – chicken souvlaki with garlicky bulgur wheat (loving that recipe), salad and tzatziki.

Then in the afternoon I went to Kent for a briefing and location tour for a commission project I may be submitting a proposal for with a friend. It didn’t start too well – the sandwich I bought at Gloucester Rd turned out to be frozen in the middle and when I got to St Pancras to catch the train it turned out that the ticket I’d bought was only valid for the slow trains… which left from Charing Cross. By that time there was absolutely no chance of getting to Charing Cross in time to get to Gravesend for 4pm, so I ended up have to pay another £10.10 just to get on the train. The tour was pretty interesting, and I ended up meeting an Australian artist and we got chatting and ended up catching the train back to London together.

But the trip back was not without incident -  seemed to run over something in a tunnel just before Stratford International, then half the lights went out and there was a bit of a bang. We slowed right down and crept into Stratford and then the train just sat there. Then there was another noise, which kind of sounded a bit like they were uncoupling or re-coupling a train carriage. Anyway, we sat there for about three minutes and eventually they started to make an announcement, which got as far as “there has been an electrical incident. The driver is…” when there was a large bang and a flash from towards the front of the train. My new friend and I looked at each other and took a snap decision to bail – turned out the train was suffering from minor explosions going off along the top of it – she saw another one flash just after we left the train. Fortunately, though, it was Stratford which meant it was easy enough to get on the tube and get home, but still… explosions! Not every day you experience that!

Today though I am basking in the wonder that is Google Analytics. I started to implement this ages back but something went a little pear shaped and I never got around to putting the code in half the pages of my site. Now I’ve implemented it everywhere – here, caitlinrowley.com, minim-media.com and the Satie site at minim-media.com/satie and my golly gosh what a useful thing! Seeing some fascinating stats and it’s really giving me a clear idea of what’s working and what isn’t. What really isn’t is minim-media, which doesn’t hugely surprise me – it’s always been a bit of a mish-mash of a site, and now that the other sites are working it’s kind of lacking in purpose, not to mention updates.  At some point when raspberryblue.com is up and running, I’ll clear all the data off it and point users to RB for web and publishing stuff and CR for music stuff and be done with it. Looking forward to that day, but there’s a ton of other work to do first.

The Satie site is particularly interesting – very high bounce rate (that’s where someone comes on your site, just looks at the page they’re on then goes away again) BUT often combined with a long average visit time – e.g. my essay Satie and Minimalism: Parallels and Points of Contact has had the most hits, has a whopping bounce rate of 87.5% but the average visit time is nearly 5 1/2 minutes – quite enough for people to read the full article. What seems to be happening is that people are finding the article via Google, reading the whole of it then going away again. Hopefully contented. And that’s interesting in terms of the (incredibly ancient – I think I redesigned this for MiniMax Festival in 2002) site design – when you get to the bottom there’s no links to anywhere – you have to scroll back up to the top for suggestions of other destinations – in particular, but it’s also making me think what I can do with this site to make it more useful to visitors. From a usability point of view, it’s pretty sucky – dense text, bibliography isn’t split into data types, that sort of thing – and there’s also limited ways of obtaining data – you come, you read an essay (or two, if you’re a masochist), you go away again. But I think the information there must be useful because I regularly get emails asking about it or asking for an elaboration on something, usually from students. It was also at one point linked from a joint website of Ivy League colleges in the States as a key resource on Satie, so it must have something going for it – why not push the boundaries? So I’m thinking, once all the other website projects are done, that I might totally revamp it. Put the whole thing in Drupal, start up a forum for discussion of Satie’s work, a blog section for intermittent updates on my research (which is always, always ongoing) and random Satie snippets that come my way so it looks a little alive – I’m sure that latest news dated 2006 on the homepage isn’t doing anyone any favours!

Ideas, ideas, ideas – but it’s really wonderful to see how people are using my sites. I put another new blog post up on caitlinrowley.com today on the process I’ve used to construct my new unaccompanied violin piece, which has had some great responses – as did the last post, which people really seemed to identify with.

Which ties in to an ebook I read yesterday – one on networking which I downloaded from the ‘Library’ at thelaunchcoach.com (you have to sign up to get it but you also get another 3 interesting ebooks). I’m really liking this new breed of online-business sites – there’s a real freshness and a respect for ethics out there at the moment, which is just fantastic – it’s all about giving value and being helpful and building your business through actually being nice to people. That’s just awesome. Anyway, I was reading this ebook and today I found myself, while going about things the way I do normally, being hyper-aware of the connections I was making – I was running several conversations at once with a bunch of people I really respect and they weren’t just twitter-fluff conversations either. I was bold and when people said they liked my blog I asked them to let me know if there was anything they want me to write about. One friend has even asked me for composition lessons as a result of it! We’ll see what happens there

I’ve sent off a ton of emails – a couple of them reminders, some signing up for stuff, others on project work, and it all feels like stuff is gradually pulling together to make things work. I can’t believe how many opportunities are turning up right now. And I just want to grab hold of every one of them!

And I started the day by writing another 2 blog posts for raspberryblue.com. I now have 3 posts and I want to launch with 4 or 5 in place, so I’m pretty happy with that. Yay!

I’ve also finally got my act together and exported MIDI files (transposed down a perfect fourth – that’s what I get for trying to sing soprano songs) for the Remembrances of Half-Forgotten Dead People – I want to have a recording of this up on SoundCloud before the end of the week to go with the one-week-to-go announcement of the concert – I want to have both the sound file and the score available to download as a package on BandCamp so that people can check it out and go “hey, that girl’s got a weird basso profundo voice but I kinda like the song – maybe I’ll go to the concert and see what it’s like with a real singer”, so exporting the MIDI is phase one. Hopefully I can get the sounds for that sorted out tomorrow and try to record it when I get back from Essex. It’s really bugging me not having a proper microphone – it’s annoying for these sorts of things, and it’s a bit annoying because I’m thinking of trying out maybe some podcasty stuff as a way of exposing a bit of my composition process to the world. Maybe it should go on my birthday list

In the evening we ventured out to St John’s Smith Square for a concert celebrating the 50th anniversary of Australian composer Percy Grainger’s death. And what a great programme – marvellous Grainger and some great Grainger-inspired works by other composers too. A really excellent programme and topped off with an encore of an all-out Sousa version of Country Gardens. The only version I’ve been able to find online is this one from YouTube where they all sound quite bored. Consider this, but with enthusiasm and then with the brakes totally taken off, everyone playing with gusto and vibrancy and you’ll get about half an idea of how good this was.

Anyway, came back after the concert and I needed to put up another sound file on SoundCloud because I applied for a composition job for a film score today too, so I pulled out the laptop, attached my audio disk and started Pro Tools. Everything was going well until Pro Tools froze, as it does. After that it started glitching a bit, so I closed it down and reopened it. At which point it started giving me errors and wouldn’t play the file. So I rebooted the computer, at which point the system decided my disk could not be read and telling me I needed to initialise it. Which of course would wipe all the data. This is a big deal because this particular disk contains all my scores. Everything I’ve done for the past ten years. And with the recent apparent failure of my grand plan to back everything up online (where 90% of the files just vanished out of the folders they were in for no apparent reason) this disk now contains my most complete backup. Which I now can’t get at at all. Going to attempt to sleep on this problem…

But, like I say, I got to the post office.

And of course, in spite of it being pre-Valentine’s Day, I still did some work – namely deciding on and uploading the last file to go on SoundCloud, which is to be my warbly rendition of the Satie Chanson arrangement. Not great singing, but I think it provides an interesting foil to the other pieces that are on there – catharsis would be too much like the beginning of Deconstruct, I don’t have time to sort out the string quartet version of Pieces of Eight (it needs a lot of work to get the pizzicati in and separation between the movements – might need to pull it into Pro Tools ultimately to get it all working right), likewise a lot of the piano pieces, which end up sounding a bit mechanical from Finale but can be made a bit more human in Pro Tools with the simple drawing of a wobbly line for the attack of each note, I don’t really want one from the vault yet even though Nightride is basically ready to go (might put that up later in the week), so with the Satie song all ready for uploading, it’s the logical choice. So I think everything’s in place now, although I won’t announce it now (when most people are sleeping) but will wait till the morning…